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October 03,2008

不要問

2005年開始, 有一個深切體會, 千萬不要問大家有沒有問題, 不問由自可, 一問全場鴉雀無聲, 連慣常的竊竊私語, 也會寂然終止, 整個環境, 變成一個黑洞。


Even the dumbest question would trigger a smart answer.”


“無問題的話, 即是說大家都明白了。


It's like talking to a brick wall.Thanks and no thanks.”


誘導、揶揄、激將、威嚇, 通通不會奏效。


為什麼不問?有一個學者發表了一篇文章, 且不贅。


An extract from an article by Dr. Robert w. F. Taylor


Why don't they ask questions? Let me answer that from my experience teaching in Thailand. It holds true throughout Asia and may vary by degree. A young child in Thailand is taught that 'father knows best'. There is no need to think. Father will tell you what to do. In school, the teacher knows best. Copy down what the teacher puts on the board. That is what will be on the exam. There is little transfer of learning. Change the wording on the exam and most of the students will probably not be able to answer the question.


Later, in business, you don't have to think, your boss will tell you what to do. Granted, this may be an oversimplified view but in essence it is what happens.


Now, add to that the concept of 'face' which is prevalent throughout Asia though virtually unknown in North America and other Western countries. If a student asks a question in class, s/he leaves her/himself open to two possible 'loss of face' scenarios. By asking a question, it implies that a) either the teacher did not explain the topic well enough for the student to understand - thus opening up a loss of face situation for the teacher in front of the class, or b) the students was too dumb to have understood what the teacher was saying and so the student loses face amongst her/his classmates. While this may seem ridiculous to some and a little odd to others, believe me, it is a fact of life in Asia, at least in the oriental countries.


Since neither situation is a good one to initiate, it is better to avoid the problem by not asking the question, at least not in class. The student may opt to speak to the teacher outside the classroom after class or sometime later when there is no one else around. Loss of face is a serious issue in Asia, potentially even fatal. I kid you not. Teachers in Western countries who have newly-arrived Asian students should at the very least be aware of 'face'. These students become 'westernized' quickly though.


I think the situation is changing as more and more students are exposed to western thinking, teaching and culture but within Asia traditions die hard.


The 'face' issue goes hand-in-hand with a concept that I have termed 'The Cyborg Effect'. If you recall the Cyborg from Star Trek in their gigantic metal cube, these creatures functioned as individual bodies but one linked mind. In Thailand, students sit in pairs generally. Ask one student a question and you will not usually get an immediate response. The student will turn to her/his partner and confer. You will then receive a collective answer. In some ways this is good. However, it makes it difficult to assess individual student knowledge.


這一代由細到大, 一切早已有人安排, 事無大小, 不須操心費神, 哪為什麼要發問。


將來踏入社會, 也會唯唯諾諾, 不是yes man, 也只會是a pair of hands, doing nothing but legwork


記得小時候有一首小學歌叫發明歌, 詞與曲反字錯韻, 不過幾應景, 不知道今天的小學音樂堂有沒有教。



發明歌 陶行知


發明千千萬,起點是一問。禽獸不如人,過在不會問。


智者問得巧,愚者問得笨。人力勝天工,只在每事問。


October 01,2008

納雜7

電視未死


講起煎釀三寶, 真係例牌過例牌, 街邊檔有, 陸羽都會有。  做得好壞, 全憑落本, 一如廣告媒體之電視、報紙、電台, 大路三味, 落重本當然收效。  一眾新媒體擁躉, 對煎釀三寶, 嗤之以鼻, 其實電視未死, 而且可能正處於全盛時期。 


君不見近日鋪天蓋地的京奧及神七之事前事後直播、專訪特輯等節目, 影響之下, 詫見紅磚區有小朋友豁然愛國, 揮筆直書, 寫下洋洋百言的心底話, 以生為中國人而感到驕傲自豪。  至於關於雪災、汶川、三毒、蒙污、伊賴事件, 因為電視避重就輕的處理, 只屬汪洋裡的小水滴, 不起兩三個漣漪, 一如幾個蒼蠅碰壁。  所以話, 電視不但未死, 而且入家入舍, 影響深遠, 一如傳真機。 十多二十年前, 當電腦面世, 一眾先知預言, 傳真機指日壽終正寢。 


今日, 每一個辦公室依然會有一兩部。  在紅磚區使用高不可攀的傳真機傳真海外, 還需填表上報, 方能使用, 其矜貴難言喻。  由此可見, 電視為煎釀之首, 如日方中, 不但未死, 仲有排煎。


 


20世紀


那一種荒誕、黑色、變態的蠱惑, 影響不下於時裝、劇集、音樂和飲食。  東京秋葉原及八王子的鬧市殺人事件, 其實有跡可尋。  京都八坂神社供奉的大和軍魂, 會與友民党六神合體出現於21世紀嗎?  當成年人都因部長島耕作而著魔, 供之為職場偶像, 少年人又豈能倖免於漫。


 


September 23,2008

我無講嘢

廣東話其實幾蝦人, 調上調落, 意思就差天共地。  西人要學, 肯定難過我哋學英文。 


我無拍拖, 係話我鐘意一條冷, 享受孤家寡人嘅生活, 瀟到一晚是但都得嗰隻。


我無拖拍, 就變得好哀怨, 你幾乎可以感受到嗰份無奈。 


我無做工, 有幾個意思。  , 我而家做老闆。  , 我抖抖先, 遲啲再算。  , 我有食有住, 玩咗先講。 


我無工做, 聽落有啲愁。 


我無寫嘢, 我咁多細藝, 邊得閒吖。 


我無嘢寫, 生活枯燥到, 寫條毛咩? 


我無飲酒, , 大佬, 關我鬼事; 或者係, 我好清醒喎, 我無行差踏錯喎。 


我無酒飲, 呢排好dry, clubbing又冇人叫, 蒲又冇人撩。 


我無講嘢, 完全置身事外, 唔好煩我。 


我無嘢講, 好失望; 我輸咗, 我衰咗。 


冇打飛機, 即係公司無做假稿。 


冇飛機打, 即係公司無錢、無時間, 邊度可以咁爽。 


冇做廣告好耐啦  轉咗行, 而家唔知幾疏芙; 我退出江湖啦喎, 呢啲嘢唔好問我。唔知幾快活, 開夜唔關我事。 我做咗客。  唔恨做。 


冇廣告做好耐啦  你知啦, 咁多後浪, 我已經被人淘汰啦。  , 一言難盡。  廣告係青春飯, 我咁嘅年紀, 真係啃唔落。  仲想做。


幾蝦人, 你話。


September 22,2008

無文化

大家都稱他為師傅, 非因他武功高強, 祗因他的崗位獨特。 


在未有電腦的年代, 合成一個平面稿, 需要植字、晒咪紙等工序, 公司有見及此, 將畫房一角闢為黑房, 除了黑白沖印, 還可以晒刮字用的PP。 不要少看這黑房的功能, 要外發的工作, 全都不假外求, 在分秒必爭的廣告公司, 師傅就是這黑房的主管, 成為一個利潤中心。 


及後, 電腦進佔創意及制作部, 也因為公司多了零售客戶, 產品照要求甚殷, 師傅的黑房, 又轉營成為數碼照像中心。  房內除了器材, 還有一角像一個貨倉, 糧油雜貨, 日常用品都堆放一隅, 以備隨時拍攝之用。 


到了更後期, 師傅的黑房已經是可以進行修圖的工房, 小規模的修改矯色, 隨時可以處理。  不要小看這些轉變, 原來已經三十寒暑。 


師傅入職這公司應該是1978, 當中多任董事總經理, 創意總監和亞太區主席, 他的黑房是他們拍攝官方人像照的地方, 照片全都由師傅操刀。 


三十年的青春, 埋首在一個黑房努力工作, 居然也要不情願地離開,  我不知道這公司的所謂文化去了那裡。 一個盡心盡力的員工, 能力未有因年紀而減退, 工作可以一一應付, 理應可以在這家公司榮休, 成為一個很好的公關案例。  可惜的是, 師傅在休假的時候, 竟被公司辭掉了, 手法極不磊落。  這樣的公司, 談什麼企業文化,  我們還是自求多福好了。


September 11,2008

租殃

朋友透露有創業之心, 問我意見, 正是問道於既懦且盲。  我最怕煩, 又欠耐性, 對創業一向沒有憧憬, 對前景只會前瞻三尺, 屬過得一日當一日, 快樂一時且一時的典型。  問我, 當然只得冷水一盤, 不照頭淋也算是兜口兜面潑。 


另一位, 創業已經數年, 小生意自食其力, 樂也融融, 雖則賺不了多少, 但蠅頭小利, 街坊生意, 一如Joga Bonito, 快樂逍遙。  但好景不常, 業主下季開始, 加租百份之四十, 一盤生意頓變雞肋, 做又難, 不做更需要勇氣, 與自己一手一腳創立的成果告別。  影響所及, 連帶員工也將面臨失業。  有少少諗頭, 不難自力更生, 可怕的是, 這生態環境, 一旦穩定, 擇肥而噬的大業主, 便會張開獅口, 令人措手不及。


September 05,2008

Remember Sean Leung?




盧廣仲


September 02,2008

醉十六


典藏酒杯十六姿, 計有:


  由迷糊變成清醒, 做人最難的一步。


  極、非常。  平淡是福, 酷未必佳。


  奠醊, 動作如酹。


  把酒灑在地上以示祭奠或立誓。


  酒味濃厚之意。


  注入之意。(待考證)


  酒飯, 有酒之飯局; 小飲怡情之意。


  提煉出來的精華。


  仝上。


  酣飲, 喝得痛快之貌。


  酒醉貌。


  用酒泡製的東西, 例如醉蟹、醉貓。


  大醉之貌。


  醫藥上用酒精和藥配合成的液體。


  大醉之貌。


  酕醄, 大醉之貌。


一套十六式的清酒杯是“壞孩子由上海帶回來的禮物,  可惜遲了一點, 唯有望杯止饞吧。  不管如何, 衷心感謝。


 


And the Hershey's 100th Anniversary from the BIG APPLE, apart from the content, the container is also well received. Heartfelt thanks.